Is Every Good Photo Now “AI”?

By Jeff Walsh – Photographer, Educator, Adventurer.

Why the Conversation Matters More Than Ever

Behind every photograph is a story, a place, a moment, a feeling. But lately, it seems that behind every great photo shared online comes the same question:

“Is this AI?” or “That has to be AI.”

As a Central Coast landscape photographer, I’ve noticed the shift more and more.
A beautifully captured sunrise over The Entrance, a rare burst of colour along the NSW coastline, a perfectly balanced drone shot - it doesn’t matter. Someone, without fail, will ask if it’s fake.
Not out of malice, but because AI has blurred the edges of trust.

And that’s exactly why we need to talk about this.
Not shut the conversation down.
Not pretend AI doesn’t exist.
And definitely not assume that every strong image is artificially generated.

This is a discussion worth having. Openly, honestly, and with respect for the craft.

The circle of AI Learning

The Circle: AI Learning From Real Creatives

The irony is almost poetic.
AI doesn’t learn from thin air, it learns from us.

Behind every AI-generated image lies an enormous pool of training material, and that material comes from the real world of photography.

AI models are trained by analysing:

  • vast online photo libraries

  • image databases

  • stock collections

  • websites full of professional and amateur photography

  • galleries and exhibition archives

  • digitised photography books and catalogues

In other words, AI learns by scrolling through the hard work, creativity, and lived experience of real photographers. The people who wake up before dawn to capture the true light of the Central Coast, Sydney, and beyond.

So when a real image gets questioned as “AI”, there’s a strange full-circle moment happening:

  • AI learns from real photographers,

  • AI recreates styles and compositions it found in our work,

  • And then our authentic photographs are doubted because they now look “too good” to be real.

That’s the part many people don’t see; AI’s “intelligence” is built from human artistry and the human experience.

Where I Stand: AI Has a Place, But Not Every Place

I’m not anti-AI. Far from it.

AI has a place in modern photography, and I use it at times (have you seen Cartoon Jeff yet?).  With my photography however, AI gets used in limited and extremely intentional ways. Things like:

  • removing dust spots

  • tidying up tiny distractions

  • smoothing digital noise

  • enhancing clarity

  • gentle colour balancing

These are tools that refine a real image without altering the truth of what I captured.

That’s very different from using AI to fabricate entire scenes, skies, foregrounds, or “moments” that never existed.
One is editing.
The other is inventing.

And those lines matter, especially for photographers who still value the honesty of a moment earned.

The Split Image Experiment

To spark this conversation, I recently created a side-by-side visual:

Left side: The real photograph I captured. Authentic boats, genuine light, shot with my drone exactly as I saw them.
Right side: An AI-generated recreation, built from the original - cleaner, smoother, perfectly neat, and lacking the subtle imperfections of reality.

Split image experiment. Photographer v AI

The purpose wasn’t to trick anyone.
It was to ask:
Can we see the difference? And why does it matter?

The process was deliberate. I fed my original image into an AI engine and asked it to recreate the scene. The output was impressive; consistent, polished, and undeniably artificial. Perfect in the way only something non-human can be.

The exercise wasn’t about dismissing AI.
It was about demonstrating why this conversation is important for every real photographer - especially those capturing coastal and landscape photography across NSW.

Why Are We So Quick To Assume “AI”?

Jeff Out taking photos

Because trust has been shaken.

AI can now produce images that look like drone shots, long exposures, portraits, landscapes, even entire galleries without ever touching a camera or visiting a location.

The result?
Every good photograph becomes guilty until proven innocent.

The truth?
Photographers are still out there earning their images.

We’re up before dawn, lugging gear, battling the wind, wading into rock pools, timing the tide, waiting for colour, adjusting filters, reading weather, and pushing our creativity with every shot.

AI doesn’t feel sea spray, cold wind, muddy shoes, or the heart-racing moment when everything aligns.
AI doesn’t chase light, it predicts it.

AI Shouldn’t Be Feared; But It Shouldn’t Be Assumed

This is where the balanced, grown-up conversation matters.

AI shouldn’t be shunned or ridiculed.
It’s an incredible tool.
It’s creative, clever, and can genuinely help photographers evolve.

But it also shouldn’t be broadly accepted that every image is AI because that undermines the respect, craft, and skill behind authentic landscape and drone photography.

We can appreciate AI and still celebrate human-made art.
Both can exist.
Both can inspire.
Both have value.
But they are not the same thing.

See the Difference in Person

If you’ve ever stood in front of a high-quality print in a gallery, you know instantly.
Real images have texture, depth, character, and soul.
They feel lived in.
They feel earned.

📍 Come visit me at the Scapes of Art Gallery,
Shop 1, 26 The Entrance Rd, The Entrance, Central Coast NSW
and see the real thing up close. The true colours, the detail, the life within the image.

These are moments that no algorithm can replicate.
Whether you’re visiting the Central Coast, exploring NSW coastal landscapes, or looking for local fine art photography, you’ll see exactly what authentic photography feels like.

💬 What Do You Think?

Is AI helping creativity?
Making things confusing?
Shifting expectations?
Or simply changing the landscape of photography?

This is a conversation worth having and I’d love to hear your thoughts.
👉 Share your view and let’s keep the discussion going.

By Jeff Walsh – Photographer, Educator, Adventurer.

Jeff Captures the Light

From rugged coastlines to misty waterfalls and the ever-changing moods of the sea, I chase the magic of light to create fine art landscape photography that celebrates Australia in all its colour, drama, and soul.

Now proudly based at The Entrance on the Central Coast, I’m surrounded by some of the most inspiring waterscapes in the country — and it’s become the perfect home for my photography, my workshops, and the new chapter of my creative journey.

With more than 15 years behind the lens, I’ve travelled Australia with a camera in hand, documenting everything from outback storms to quiet river reflections. My early years in photojournalism and sports photography shaped the way I see and tell stories through an image, but over time my heart was pulled deeper into capturing the natural world with a more artistic eye.

Today, alongside my wife Cass, I co-run the Scapes of Art Gallery — now open Thursday to Monday — a dedicated space showcasing our fine art prints, a growing range of gifts and souvenirs, and a welcoming home for local and visiting art lovers. It’s also where I teach my photography workshops, helping photographers of all levels understand light, composition, and the joy of creating with purpose.

Whether I’m hiking a mountain trail, standing knee-deep in a rock pool at sunrise, or guiding a beginner through their first long-exposure shot, I’m always driven by the same thing: the chase… the light… the story.

Join me as I explore and photograph Australia’s landscapes, one frame — one adventure — at a time.

✨📸

https://jeffwalsh.photo
Next
Next

Choosing Your First Camera. Let’s talk about it.